Bach Bibliography
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Author : Stockigt, Janice B.
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1. Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.)Music at German courts, 1715-1760: Changing artistic priorities. Woodbridge: Boydell, 2011. xx, 484p. ISBN: 1-84383-598-3; 978-1-84383-598-1. [ce]MusicGermanCourts 2011 xx, 484p
2. Stockigt, Janice B.A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. A paper read in the session 'burning issues: Bach Looking East' at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. [p]BNUK_Warsaw Jul 2013
3. Stockigt, Janice B.Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. Part I: historical background and contexts. [ce]ExploringBMM 2013 39-53
4. Stockigt, Janice B.Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 2007 52-92
5. Stockigt, Janice B.Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? Kleine Beiträge. BachJb 78 1992 77-80
6. Stockigt, Janice B.Fasch Visits Dresden: c.1726-1728. FaschSt 8 2001 29-56
7. Stockigt, Janice B.Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. FaschSt 9 2003 175-202
8. Stockigt, Janice B.Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. Oxford [u.a.]: Oxford Univ. Press, 2000. xxiii, 352p. ISBN: 0-19-816622-2. (= Oxford monographs on music) OxfordMonographsM 2000 xxiii, 352p
9. Stockigt, Janice B.Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 2018 63-83
10. Stockigt, Janice B.Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. A paper read at the colloquium 'Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts – Überlieferung und Notisten' held at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010. [p]Dresden Jun 2010
11. Stockigt, Janice B. 'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). Chapter 1. AustralianMResearch 17 2018 11-28
12. Stockigt, Janice B.Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). A paper presented at the dialogue session 'Music, Musicians and Patronage in Saxon during the reign of August the Strong' at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. [p]BNUK_Cambridge Jul 2015
13. Stockigt, Janice B.Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. A paper read at American Musicological Society National Meeting in Kansas City, Missouri, November 4- 7, 1999: A session on 'Bach, Telemann, and Performing Forces' chaired by Joshua Rifkin. [p]AMS_Kansas Nov 1999
14. Stockigt, Janice B.Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. DresdnBeitrMf 3 2010 551-560
15. Stockigt, Janice B.The Court of Saxony-Dresden. [ce]MusicGermanCourts 2011 17-49
16. Stockigt, Janice B.The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. http://bachnetwork.co.uk/ub11/ub11-stockigt.pdf UnderstandingBach 11 2016 57-66
17. Stockigt, Janice B.The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. Research Report. Context 21 Autumn 2001 79-84
18. Stockigt, Janice B.The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 2004 49-64
19. Stockigt, Janice B.The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. Reports. http://www.bachnetwork.co.uk/ub9/UB9-Stockigt.pdf UnderstandingBach 9 2014 89-92
20. Stockigt, Janice B.Two Zelenka masses in J. S. Bach's Nachlaß. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. [p]BCB_Exeter Jul 1998
21. Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. A dialogue session presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. [p]BNUK_Warsaw Jul 2013

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